Submitted by Anonymous on Sun, 08/30/2015 - 05:18
Since we announced the project on @news back in January of this year, ten new titles have been released, which were are excited to share with you. As always, everything we do is available for free download in printable and readable PDF format on our website
Submitted by thecollective on Tue, 08/18/2015 - 21:00
Submitted by shevek on Mon, 07/20/2015 - 20:48
Submitted by Anonymous on Tue, 06/30/2015 - 05:28
This text is less so a general critique of insurrectionalist methodology or ideas than a critique of how a specific insurrectionalism, that which has developed in Barcelona in the last eighteen years, has played out in practice. It problematizes a set of practices and attitudes that it sees in the self- proclaimed insurrectionalist milieu there, from arrogance to bad security to an incomplete understanding of repression. At times it broadens to critique insurrectionalisms of other places or more general aspects of the tendency.
Submitted by Anonymous on Mon, 03/23/2015 - 01:40
Submitted by Rocinante on Sun, 03/01/2015 - 10:44
From Mute by Alberto Toscano, originally published on 13 January 2015
After the Insurrection that was to come The Invisible Committee’s À nos amis assesses the defeats and 'permanent catastrophe' which never stopped. Alberto Toscano’s extended review, ahead of the book’s English translation, seeks points of agreement among the peaks and pitfalls of a relentless metaphysical attack on network power
Submitted by Bursts on Mon, 12/29/2014 - 14:48
Streaming at AshevilleFM from 3am EST on December 08th through December 14th, 2014, then podcasting at radio4all.net. Also airing this week on KOWA-LPFM in Olympia, WA, KWTF in Bodega Bay, CA, KXCF in Marshall, CA, and WCRS-LP Columbus Community Radio 98.3 and 102.1 FM
Submitted by Anonymous on Wed, 12/17/2014 - 20:25
*note: this is a reproduction of a text that was circulated at a recent 'Reclaim The Streets' gathering here in Macedonia*
1. Madonna and preconceptualist discourse
In the works of Madonna, a predominant concept is the distinction between opening and closing. The characteristic theme of Werther’s model of Debordist image is a mythopoetical totality.