At its root, anarchism is based on some assumptions of egalitarian relations. By default this implies a hostility to racism, fascism, and sexism (among other isms). Presumably that would make anarchists (almost by default) anti-racist, anti-fascist, and anti-sexist. However, anarchist history is filled with examples of thinkers and actors who don’t quite walk the walk, or, maybe if we are being charitable, don’t see the gaps between their praxis and their ideals.
Today, decades of hard-fought victories in the struggle for female emancipation are under threat from waves of resurgent misogyny. From attacks on abortion and reproductive justice, to the revival and spread of religious fundamentalism and authoritarian nationalism… patriarchy is on the march. Meanwhile, as the corporate media celebrates the #TimesUp movement initiated by rich women in Hollywood, femicide, sexual exploitation and rape continue to tear more marginalized communities apart.
This week William and Disembodied Voice had the chance to interview Walidah Imarisha, who is an Oregon based writer, educator, public scholar and spoken word artist about her book Angels With Dirty Faces: Three Stories of Crime, Prison, and Redemption, her 2016 book out from AK Press and IAS, which highlights three distinct experiences that are all in different degrees tangential to the realities inherent to the prison industrial complex.
While social justice activists have gotten quite good at shaming those with subtly different views from their own, all their internet crusades combined will never match what the alt-right has shown that it can do–and is more than willing to do–to its chosen enemies.
From Rhyd Wildermuth, a review of Kill All Normies, by Angela Nagle
In an interview, Kate Evans, the author and artist of Red Rosa, admitted that when she was initially approached about it, she did not know who Rosa Luxemburg was. Evans did, however, do meticulous research that informed how her pictures were drawn, and she also used Luxemburg’s own political writings to convey her inner and political life. The book is lively and characterful, its main goal attempting to draw Luxemburg as a whole person. By this, we mean that Evans includes a lot about Luxemburg’s friendships, and her romantic and sexual life, as well as trying to convey her political ideas.
Download This Episode Welcome to a podcast special release of The Final Straw's interview of two members of The Haymaker, a gym project under way in Chicago, IL. The Haymaker's principles of unity are as follows:
From The Institute for Anarchist Studies by Hillary Lazar
There is growing recognition among activists that we need to acknowledge the interconnectedness of our struggles if we are to harness the collective power necessary to overcome interlocking systems of domination. As Francesca Mastrangelo comments in an editorial piece for The Feminist Wire, we need to begin to “recognize that our liberation is bound up in the liberation of every person.”1 Or, as expressed by labor organizer Ai-Jen Poo, “The way we try to think about it and the way the world is, we’re all interdependent and interconnected . . . . Those connections are fairly invisible to most people most of the time. We’re taught not to see those connections.”2
Airs on WSFM-LP 103.3 in Asheville / streaming at AshevilleFM from 3am EST on November 30th, 2015 through December 6th, then podcasting at radio4all.net. Also airing this week on KOWA-LPFM in Olympia, WA, KWTF in Bodega Bay, CA, KXCF in Marshall, CA, and WCRS-LP Columbus Community Radio 98.3 and 102.1 FM.