From the Guardian
If you were to play a game of word association with the term “anarchism” what would be the likely responses? Perhaps the anarchy sign, with the capital A over a circle. Black flags. The turn-of-the-century bombers immortalised by Joseph Conrad in The Secret Agent. Or maybe Johnny Rotten singing Anarchy in the UK.
What it would be unlikely to evoke is the image of an English diplomat, a veteran of the Foreign Office and the United Nations, a man schooled in the subtle arts of negotiation and persuasion.
Nearly 50 years ago, Guy Debord’s “The Society of the Spectacle” reached bookshelves in France. It was a thin book in a plain white cover, with an obscure publisher and an author who shunned interviews, but its impact was immediate and far-reaching, delivering a social critique that helped shape France’s student protests and disruptions of 1968.
From Rolling Stone
On the morning of his first battle, Brace Belden was underdressed for the cold and shaky from a bout of traveler's diarrhea. His Kurdish militia unit was camped out on the front line with ISIS, 30 miles from Raqqa, in Syria. Fighters stood around campfires of gas-soaked trash, boiling water for tea, their only comfort besides tobacco. "I've never been so dirty in my life," Belden recalls. When the time came to roll out, he loaded a clip into his Kalashnikov and climbed into a makeshift battlewagon, a patchwork of tank and truck parts armored with scrap metal and poured concrete. Belden took a selfie inside its rusty cabin and posted it online with the caption "Wow this freakin taxi stinks."
Cody Wilson turned a toothpick over in his mouth and swirled the olive-adorned drink in front of him.
"I don't ask anyone to be sympathetic to my position," he said. "I don't think I'm a very sympathetic character."
The 28-year-old may or may not be on to something when he makes that statement about his personality. He is decidedly on-point when he makes it about his ideas.
From The Guardian
Sixty years after his death, the peripatetic and violent life of one of the most remarkable minor characters in 20th-century history is being retold on the black, white and red pages of a graphic novel.
The anarchist Simón Radowitzky may be half-forgotten today, but his struggles in tsarist Russia, banishment to the “Argentinian Siberia” and participation in the Spanish civil war made him a legendary figure in his own time.
Via Actforfree by way of https://325.nostate.net:
In the course of awaiting the processes of several anarchists that are accused of having robbed banks in Aachen in 2013 and 2014, the prosecution office of Aachen, Germany, and their obedient voice, the media, use every chance available to advance their investigation. Whether it is on a juridical or a more subtle mediatic level, all these expressions are different tentacles of the same mechanism of repression.