review

Occult Features of Anarchism, by Erica Laglisse

  • Posted on: 28 July 2019
  • By: thecollective

From USAPP– American Politics and Policy, book review

In Occult Features of Anarchism, with Attention to the Conspiracy of Kings and the Conspiracy of the PeoplesErica Laglisse challenges the assumption that rationality and secularism are at the centre of anarchism, instead showing how this is rooted in a disavowal of its roots in religious and occult thinking, with implications for how we view anarchism and conspiracy theories today. This is a rich work that confronts deep-seated contemporary questions about anarchism, conspiracy theories and the nature of knowledge, writes Bethan Johnson

Notes On Friendship And Destitution

  • Posted on: 28 July 2019
  • By: thecollective

From Conflict Minnesota, Anonymous submission to Conflict Minnesota

On some recent sunny evenings in south Minneapolis, an advertised reading group met to discuss the book Joyful Militancy. One of the discussions was framed with a question posed by the book: “How do we create situations where we feel more alive and capable than before?”

The Great Anarchist Conspiracy

  • Posted on: 27 July 2019
  • By: thecollective

From The Transmetropolitian Review

We are happy to present our latest work, The Great Anarchist Conspiracy, a documentary that charts anarchism’s resilient survival from the 1890s all the way up the 1970s. The fact that you are reading this, and are most likely an anarchist, is proof that our international movement has survived every attempt to crush it. Against impossible odds, and without wielding state power, the anarchist movement continues to spread across the planet, even as you read this.

Review: Kropotkin: Reviewing the Classical Anarchist Tradition by Ruth Kinna

  • Posted on: 11 June 2019
  • By: thecollective

From Anarchist Writers by anarcho

Anarchists from Proudhon onwards have met with misunderstanding and not a little deliberate distortion. Peter Kropotkin, despite being one of the most widely read anarchist thinkers, has also suffered this fate. This, perhaps, is due to him being so widely read for the most easily available works are those he wrote as general introductions to anarchism. The more numerous works he wrote for the anarchist press addressing the issues it was facing remain mostly buried in archives.

Done In From Within: An Intemperate Review by John Zerzan

  • Posted on: 27 May 2019
  • By: anon (not verified)

by John Zerzan
All the leftist parties in the West took sides in the four-year industrial slaughterhouse of World War I. Leading anarchist Peter Kropotkin also supported it.

Emma Goldman was deported to Russia in 1919 and remained there until 1921. She was a partisan of the Bolsheviks' take-over of the revolution even after Lenin told her he had no intention of altering his policy of murdering and imprisoning anarchists. It was not until Lenin and Trotsky massacred the insurgent sailors and anarchists of the Kronstadt naval base in 1921 that she finally broke with the red fascist Bolsheviks.

Blumenfeld’s Stirner

  • Posted on: 24 March 2019
  • By: thecollective

From The Anvil Review

All Things Are Nothing to Me is one of the latest books to emerge from the ongoing revival of interest in the work of Max Stirner. The title is taken from the opening line of the first English translation of Stirner’s The Unique and its Property, which can also be translated literally but more prosaically as “I have based my affair on nothing.” In his introduction, the author, Jacob Blumenfeld, says that his intention is to “reconstruct” Stirner’s unique philosophy1 and show a “contemporary, critical, and useful Stirner”. This already makes the book ambitious, as Stirner is all too often reduced to merely a meme or a punchline by both his detractors and his champions. Blumenfeld acknowledges this, considering and rejecting Stirner as a precursor to the troll culture of the alt-right as well as a would-be accommodator of the neoliberal status quo. Instead, he prefers to see Stirner as a kindred spirit of the notorious Invisible Committee, as both offer critiques of ideology and alienation. As he wraps up his introduction, Blumenfeld says that in the first chapter of his book he “discover[s] something interesting, namely, that one does not need the concept of the ‘ego’ to understand Stirner at all. In fact, this might have been the biggest stumbling block toward understanding his philosophy.”

Capitalism Is Killing The Earth: An Anarchist Guide To Ecology

  • Posted on: 11 March 2019
  • By: thecollective

This pamphlet from the Anarchist Federation is a well articulated and well written argument for the intrinsic link between climate change and ecological devastation and capitalism. As the pamphlet states: “Capitalism is a system reliant on the total exploitation of nature; whether that be sacrificing our clean water to frack for hydrocarbons or sacrificing our children for the production line.” It goes on to say that the market cannot be relied on to fix C02 emissions and that the only way to achieve meaningful change is to abandon the capitalist model.

Precursors of Syndicalism II

  • Posted on: 8 March 2019
  • By: thecollective

From Anarchist Writers by anarcho

The first instalment of Precursors of Syndicalism (ASR No. 75, Winter 2019) sketched the rise of syndicalist ideas within the First International. Championed by Bakunin, the idea of the International as a militant union for economic struggle was the majority trend within it and Marx preferred to destroy the organisation when it did not endorse his position of transforming it into parties pursuing political action.

Review: Rupturing the Dialectic by Harry Cleaver

  • Posted on: 3 March 2019
  • By: thecollective

From Anarchist Writers by anarcho

There is nothing worse than seeing a film labelled “inspired by true events” (or a TV series “inspired” by the stories of Philip K. Dick) for you know that any relation to actual events is purely accidental. This does not mean the film will be bad – indeed, it may be excellent (Blade Runner springs to mind as regards Dick adaptations). It just means that when you discover the source of the “inspiration” you realise the film does not reflect it very much, if at all.

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